Luhrmann's William Shakespeare's Romeo and Juliet Being a Major Movie Review

Luhrmanns William Shakespeares Romeo and Juliet Being a Major Departure from Shakespeares Original Work - flick Review ExampleInnovation is presented for a more marketable new audience while retaining the out of date Shakespearean themes, such as love versus hate, youth versus age, and destiny versus determination. Despite its tremendous success, critiques ranged from admiration to revolt (Romeo and Juliet Of its Time and of Ours). Nevertheless, Luhrmann has ultimately given the audience what is possibly the most dedicated of all film adaptations in upholding the persona of both Shakespeare and his play. As Shakespeare probably projected, all succeeding adaptations would be free-spirited and packed with the younger contemporariess impulsivity a challenge to power and a rebellion. The boldness and extremism of Luhrmanns wild editing, spectacular art instruction and humor rebel against authority and sensibility and likewise matched the bravado of the lead characters, Romeo and Ju liet (Romeo and Juliet Of its Time and of Ours). ... The director jab scenes at great angles and always-moving camera effects and used unusual shooting memos such as macro slam zoom and distorted out-of-focus close-up, to provide a more or less frenzied energy. Rap, modern hip-hop, rock, electric guitar, Western sound themes and Latin chants throughout the movie give a characteristically immature attitude (Romeo and Juliet Of its Time and of Ours). Shakespeare, according to Luhrmann, used e truly musical variety and poetry to satisfy the more than diversified viewers in the Globe Theater. In the 1996 adaptation, Luhrmann echoes this in his film, informs the public against the foolishness of meaningless family disputes and cleverly revises it for the 20th century, however, preserving its crucial ethical fight as it relates easily to the young audiences (Gibbs). Poetry is the most hard-hitting means of instruction, as poetry can teachnot only by delivering forth his very being, h is causes and effects, but also by making known his enemy, vice, which must be destroyed, and his cumbersome servant, passion, which much be mastered (Duncan-Jones 220). Although much of the Shakespearean poetry is lost in Luhrmanns film due to cuts, the fleck remains unharmed. This dismayed several critics but quite a few intellectuals sided with Luhrmann, revealing that Shakespeares style and script are intended to be used as a starting ground for his stories, rather than just being a stationary writing (Romeo and Juliet Of its Time and of Ours). Dissimilarities are aplenty between Shakespeares captain and the outrageously lively Luhrmann version. Whereas in the play, sex is an acceptable expression of love, particularly for the young